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D.B.U. AND R.R.: SELECTED EXTRACTS FROM CORRESPONDENCE BETWEEN DANIEL BERKELEY UPDIKE AND RUDOLPH RUZICKA, 1908-1941
Lathem, Edward Connery and Elizabeth French Lathem (Editors)
D.B.U and R.R. prints for the first time extracts from the important correspondence between these major figures of American graphic arts, revealing a little-known closeness between the Merrymount Press fine printer Updike and the artist Ruzicka. The two men collaborated on a number of important books, including Newark and the Grolier Club's Irving, as well the exquisite series of Merrymount annual keepsakes. Ruzicka also played a substantial advisory role in the writing of Updike's monumental Printing Types. This touching and candid thirty-three year correspondence is put in context by the Lathems' elucidating commentary. This work includes an index and two tipped-in facsimiles, as well as illustrations reproduced in the original colors. Printed by the Stinehour Press, in an edition of 500 copies.
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Books of related interests - -
> Bambace, Tony, WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
> Thompson, Susan Otis, AMERICAN BOOK DESIGN AND WILLIAM MORRIS With a new Foreword by Jean-Francois Vilain.
> Hutner, Martin, DANIEL BERKELEY UPDIKE AND THE BRITISH CONNECTION.
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SOUTHERN RHODESIA, THE DISTRICT OF FORT VICTORIA AND OTHE...
by Breuil, Abbé Henri
First edition. Printed in an edition limited to 388 unnumbered copies. This is the fifth in the series about rock painting in South Africa with a collaboration of Mary E. Boyle and a foreword by Roger Heim. This volume describes two expeditions made by Abbe Breuil to Rhodesia, then Southern Rhodesia in 1948 and 1950. His study reveals affinities with the White Lady, and traces of immigrants from the north several thousand years before the white settlers of our own time. Most of the paintings here have never before been published and are largely unknown. Regions include Dandabari, Chamavara, Mbara, The Chibi Reserve, the White Rhino shelter and more. It is illustrated with 63 color plates, reproduced by the collotype and hand-stencil process by the Trianon Press, 19 photographs in monochrome collotype, and 3 line illustrations.
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